Micro-Season: “The Cotton Lint Opens” (2023)

August 23 to August 27 is the micro-season of “The Cotton Lint Opens”. This is the first micro-season of the season of Limit of Heat.  All the micro-seasons in Limit of Heat are:

  • The Cotton Lint Opens (Aug 23-Aug 27)
  • Earth and Sky Begin to Cool (Aug 28- Sep 1)
  • The Rice Ripens (Sep 2 – Sep 6)

These seasons were established in 1685 by Japanese astronomer Shibukawa Shunkai. While they are specific to Japan, you can use these seasons as a starting point for exploring the natural world.

To celebrate this season, we will learn about the cotton plant and then read haiku by Reichhold, Basho, Issa, Buson, and Wright. 


Cotton 

The cotton plant (Gossypium) belongs to the Mallow family. This plant family also includes other plants like hollyhock, okra, and hibiscus. The cotton plant is indigenous to tropical and subtropical regions. Its origins date back approximately 10 million years, and it comprises around 50 distinct species.

Currently, there are four main commercially grown species of cotton. 

  • Gossypium hirsutum — This species is native to Central America, Mexico, the Caribbean, and southern Florida. Gossypium hirsutumi makes up 90% of the world’s commercial cotton production. 
  • Gossypium barbadense — This species is native to South America. It makes up about 8% of the world’s commercial cotton production.
  • Gossypium arboreum — This species is native to India and Pakistan. It makes up less than two percent of the commercial cotton.
  • Gossypium herbaceum — This species is native to Africa and the Arabian Peninsula. It makes up the rest of the world’s commercial cotton.

Growing and Harvesting

A cotton plant needs about 4 to 5 months of warm temperatures and sunshine to go from seed to mature plant.  Cotton should only be planted after the last frost as any exposure to frost will kill the plant.   

A cotton seedling will emerge a week or two after planting.  Four to six weeks after planting, flower buds begin to form. These buds will grow for about three weeks before they flower. 

After the flower falls, the cotton boll forms. The cotton boll is the mature fruit of the plant and is where the cotton seeds and lint grow.  When the bolls open up it is time to harvest the cotton.

Once harvested, the cotton fibers need to be separated from the seed pods in order for the fibers to be used for textiles.    

After the cotton fibers are separated from the seeds, they are cleaned and dried. Following this step, the fibers are turned into yarn, which is subsequently used to create cotton textiles. If you are interested in learning more about this process, check out last year’s post.

Milestones in Cotton’s History

The following facts about cotton’s history come from World Cotton History, The Story of Cotton, and Short History of Japanese Textiles.

  • Archeologists found cotton fiber and cloth fragments in Mexico that date back to about 5000 B.C. 
  • Cotton is cultivated for fabric in the Indus River Valley (which is in present-day Pakistan) around 3000 B.C.
  • Chinese, Egyptian, and South American civilizations begin weaving cotton fabrics around 2500 B.C.
  • Alexander the Great’s army brings cotton goods to Europe in 300 B.C.
  • In 1492, Christopher Columbus introduced Gossypium hirsutum to the rest of the world.  Columbus found Gossypium hirsutum when he landed in the Bahamas.
  • In the 1500s, denim fabric is first produced in Nimes, France. Denim derives its name from “serge de Nimes” or “fabric of Nimes”
  • In the 1500s, Japan imported cotton from China and India. In the 1600s Japan began domestic cotton production in the western parts of the country where the soil and temperatures were better for the plant. 
  • In 1641, the first cotton spinning factory opened in Manchester, UK, 
  • In 1793, Eli Whitney, a native of Massachusetts, secured a patent on the cotton gin.
  • In the early 1800s, the southern part of the United States became the world’s largest exporter of cotton.  Most of that cotton goes to British textile mills.
  • In 2005, the world’s cotton production reaches a record high of 26-million tons.
  • In 2015, the growth in the world’s cotton consumption slows.
  • In 2018/2019 there is a slow down in the world’s cotton production due to a reduction in planted area, water availability, and limited improvements in yields. The world’s cotton consumption also slows during this time.

Seasonal Haiku

According to the World Kigo Database, cotton (wata) is a multi-season kigo.  For example, “flowers of the cotton plant” is a late summer kigo, “harvest cotton” is a mid-autumn kigo, “new cotton” is late autumn, and wata-irebaori or “haori half-coat with cotton padding” is a winter kigo.

In A Dictionary of Haiku, Jane Reichhold lists “cotton fields” as the autumn kigo. 

Reichhold also lists “cottonwood” as an autumn kigo. “Cottonwood” could reference several different plants. However, I believe, that Reichhold is talking about Populus deltoides which is a tree native to North America.  Some other names for this tree are eastern cottonwood and necklace poplar.(9) 

Another plant that goes by the common name “cottonwood” is the Hibiscus tiliaceus.  This plant is part of the Mallow family (same as cotton) that grows along the coast in tropical regions.  Other names for the Hibiscus tiliaceus are “sea hibiscus” or “coast cottonwood”.(10)

Now with all this in mind, let’s read some haiku

Reichhold

fall fashions
the tweedy patterns
in cotton fields
autumn evenings
cottonwood trees
seem too cool

Basho

first frost
when mums start to feel chilly
I get a cotton waist warmer 
(translated by Jane Reichhold)
A field of cotton— 
as if the moon
had flowered. 
(translated by Robert Hass)

Issa 

ginning cotton--
the trembling silhouette
of the cat

A note for the translator, “Ginning cotton (separating fibers and seeds by means of a wooden contraption) is a winter activity. Evidently, the cat disapproves”. (David G. Lanoue)

plucked fresh
from the garden...
sermon of cotton
shrine in a field--
wind can't scatter
the first cotton bolls

Buson

gathering cotton
the tobacco flowers
look asleep
(translated by Allan Persinger)

Richard Wright 

From a cotton field
To magnolia trees,
A bridge of swallows. 

Richard Wright (1908–1960) wrote an estimated 4,000 haiku near the end of his life.  These haiku were published in 1998 in a book titled, Haiku: This Other World. This collection was later republished as Haiku: The Last Poems of Richard Wright in 2012. 


Haiku Invitation

This week’s haiku invitation is to write a haiku or senryu that references flowers wilting or flowers going to seed. 

Share your haiku in the comments below, or post on your own page and link back to this post. I can’t wait to read what you write!  


You can support this newsletter work by donating at “Buy Me a Coffee” or shopping at our bookstore.

Thank You!

.

Resources

  1. “Gossypium”; Wikipedia
  2. “The Evolution of Cotton”; Genetic Science Learning Center
  3. “Cotton Story”; CottonAcres.com
  4. “Cotton”; Wikipedia
  5. World Cotton History”; Cotton Australia
  6. “The Story of Cotton”; National Cotton Council of America
  7. “Short History of Japanese Textiles”; kimonoboys.com
  8. “Cotton (wata)”; WorldKigoDatabase
  9. Populus deltoides”; Wikipedia
  10. “Hibiscus tiliaceus”; Wikipedia

Issa’s haiku were retrieved from HaikuGuy.com by David G. Lanoue.  Basho’s haiku was retrieved from Matsuo Bashō’s haiku poems in romanized Japanese with English translations. Buson’s haiku was retrieved from Foxfire: The Selected Poems of Yosa Buson. Jane Reichhold’s haiku were retrieved from A Dictionary of HaikuRichard Wright’s haiku was retrieved from an essay by Toru Kiuchi in JuxtaSix: Research and Scholarship in Haiku 2020, Haiku Foundation.

87 thoughts on “Micro-Season: “The Cotton Lint Opens” (2023)

Add yours

  1. Not haiku, but a Tanka I wrote several years ago that features a cottonwood tree. I know, I’m taking a lot of liberties with the challenge here…

    a dry, dusty day
    debajo del álamo
    a sin vergüenza
    we make love then lie apart
    to talk, dream, kiss and reprise

    1. I agree with Jules! We are just setting the stage here. Haiku and haiku adjacent poetry works. Thanks so much for starting off this week’s conversation.

  2. Mark,
    I’m going to have to come back to read last years info. But… I have several things that came to mind including the acrostic ‘ku/ Am. Sent here;

    …cotton, lint, mallow…

    when young
    a tune
    touting picking
    a bale

    Who can imagine picking five hundred pounds of cotton lint a day?

    (I used ‘wata’ as my acrostic word)

    © JP/dh/ Jules

      1. We only ever did the first verse… to move from sitting to long in K or elementary school…
        Hard work for sure. Now there are machines.

    1. Hi Jules, I enjoyed reading your poems. They are lovely! (My goodness…five hundred bales of cotton lint a day… unimaginable! )

      1. ~Thanks. I’m sure it seemed like that, five hundred bales, but from what I read it most likely was quite a bit, but not that much.

    1. I am enjoying the movement and the shades of yellow that this haiku brings. Line 2 could pair with line 1 or line 3. I like it! Thanks for sharing.

    1. Hi LaMon, While yes, this is a sad haiku, I do like the social commentary it provides. The realities of global warming are showing up in our day to day experience. Thank you for writing and sharing this piece. I hope you had a good week.

  3. a blanket
    of cottonwood fluff
    seeded city

    I had already written my haiku before I saw the prompt wasn’t about cotton! But yay, I stumbled upon seeds anyway.

    2023 had what is known as a mast seeding of cottonwood. It happens only every so often and this year, Chicago, was apparently completely inundated with cottonwood fluff. It’s really quite extraordinary and a total mess/really beautiful.

    1. Hi Eavonka, Glad that the haiku and the prompt worked out! I didn’t know that about the cottonwood this year. That must have been a sight to see. And, yes, I bet it was a mess and really beautiful at the same time. I hope you have a good rest of your day!

      1. I noticed that they went into moderations first. The site is set up to allow posting after the first approved post, so I am not sure what happened. Did you happen to change browsers, emails, or something like that? If not, I am not sure. This one went through okay so maybe it fixed itself.

      2. Actually, I was forced to make a Word Press account, and now I have to log in each time I want to leave a comment. It’s pretty frustrating. I much preferred just using my email. I haven’t changed a thing on my end. Super weird.

      3. That is annoying. I commented on someone else’s page today and noticed it looked different. I wonder if WP changed something.
        From the sounds of it, it isn’t a good change.

    2. Hi Eavonka,
      Nicely done on the haiku. I love seeing cottonwood drifting down like snow in June/July. I remember once the fluff was so heavy that I could hardly see the green on the golf course.

      I had a cotton haiku all ready to go, but changed it up. I’ll save it for another day, I guess. ~Nan

      PS. Good luck with the kukai; I think yours has a good chance of being recognized.

      1. Oooh, when I did my kukai voting I was so pleased my poem was so unique. I shall hope for the best. I did like a lot more poems this month so that was exciting!

      2. I thought it was a difficult prompt, but there were some haiku that were unique. Your haiku certainly was, and I hope it shows up next week. I copied down the ones that I voted for just to see if they show up, too. Voting drives me crazy because there are so many that I like, but I have finally come up with a method that works for me. I feel like if I submit, I feel obligated to vote. Good luck!

    3. Eavonka – now you taught me something new;
      ‘It isn’t snow. The fluff is from female eastern cottonwood trees. The tree’s seeds are blanketed by thin white floss, sort of like a dandelion, allowing them to hitch a ride on the breeze away from their parent tree, perhaps to somewhere they might take root.’

    4. It’s a Iovely haiku, Eavonka. I love the words you used “blanket” and “fluff”…wonderful imagery and the last line…a surprise!

      1. Oh, yay, thank you so much. The last line is also meant to imply ceded city since the fluff totally took over. 😊

  4. Interesting blog, Mark. I always learn so much from your writing. I was surprised at the cotton distribution throughout the world. Here are a few haiku about flowers having gone to seed.

    summer afternoon
    goldfinch pair ravages
    the sunflowers
    ~Nancy Brady, 2022

    Fibonacci…
    the goldfinches eat sunflower seeds
    sequentially
    ~Nancy Brady, 2022

    puppy love…
    his bouquet of dandelions
    wilts
    ~Nancy Brady, 2023

      1. Awww, shucks, E. Thanks. I recently played with the word and idea behind Fibonacci in my haiku. One was published in Kokako, and I made a typo, but it worked out in the end.
        The last poem was an off-the-cuff haiku, and I never know whether it works or not (on my blog, I modified it) so thanks for the positive comment. ~Nan

    1. Hi Nancy, These are great! I am not sure if I like “puppy love” or “Fibonacci” best. . . . I am leaning towards “puppy love”.
      Either way, they are all great and thanks for adding them to this week’s conversation!

      1. Hi Mark, and thanks for your comments. I appreciate it. I ended up modifying the last line in “puppy love” on my blog. Just thought it lacked something. ~nan

    2. These are great poems, Nan. But I have to say I love the Puppy love haiku the best! (lol:) It’s wonderful!

    3. Awww, thanks Nan…the image is so engaging…”puppy love” works so well with “wilted flowers.” It’s a precious poem.

  5. Hi Mark: I am so sorry for posting so late. I was having trouble creating a new account…none of my names worked for the user name, so my daughter helped and came up with the name maddy which is my nick name and it needed to be different to work so haikus afterwards became the answer:) lol.

  6. Hi Mark: I enjoyed all the information for this post. It is very thought provoking that the world’s cotton production has slowed down recently. Basho’s: “…a field of cotton…” haiku resonates with me.

  7. Here are my two offerings:
    little flower stay a little

    a flower wilts…
    the cotton gin
    removes forty seeds

    1. Hi Madeleine, (aka Maddy) — The monoku is so good!
      And thanks for working through the new sign up thing. I am trying to see if there is a way around this. Thanks for sharing!

      1. Thanks Mark! I am learning so much about the cotton flower:)
        …no problem, I actually got to spend some quality time with my daughter and it was hilarious picking out names!

    2. Maddy,
      Little flowers grow. Some multiply others do get bigger.
      I am uncertain about how cotton gins work. I guess it shakes the seeds out? Ah… I looked it up. Kind of like a wheat thresher. There are so many man made materials, but cotton and wool/real wools… are best. 🙂

      1. Thanks, Jules…very interesting comments. I discovered this week that the cotton flower in particular goes to seed in about three days, seems to be a shorter time than most flowers:) I agree, they are really lovely fabrics.

  8. It’s very interesting that I was unable to sign up to Word Press using my user name Madeleine Kavanagh. After trying different versions of my name, my daughter suggested my nick name Maddy as user name to sign … Alone, “Maddy” didn’t work… My daughter always very practical and with a lively sense of humor thought that “haiku” as a second name would do the trick, and it did:) I was able to open a new account in Word Press! (phew!:)

    1. Hi Allyson,
      Wonderful haiku to mark the transition to autumn! Fading flowers and fading tans make a great pairing. Thanks so much for joining the conversation this week!.

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